Current Issue : September-October 2024
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Articles September-October 2024

Mastering Sound Engineering with The Awesome Sound Engineer New!

At the PALM Expo Conference 2024, renowned Sound Engineer, Sreejesh Nair, shared his experience on technical aspects of sound engineering. read more

Amoeba Bowling & Sports Bar Revitalizes Its Sound System New!

Amoeba Bowling & Sports Bar at Phoenix Market City, Kurla, embarked on a significant upgrade to modernize its facility with SoundTube. read more

The Indian Music Industry Today: A Melodic Fusion of Tradition, Innovation, and Growth New!

Explore the evolving Indian music industry in this in-depth article featuring insights from IRAA Jury members and industry leaders. read more

Setting New Standards in Nightlife Sound Quality with d&b audiotechnik New!

Revolution Bar in Pune transforms its nightlife experience with d&b audiotechnik's advanced sound system. read more

N-Labs: Revolutionizing India's Pro-Audio Landscape New!

N-Labs, founded by Hemal Bhatt, is revolutionizing India's pro-audio industry with its innovative products, user-first design, and customer service. read more

CSC Audio: Fusing German Engineering with Indian Craftsmanship New!

CSC Audio blends German engineering with Indian craftsmanship to create high-quality pro audio products, with a focus on performance and sustainability. read more

GENELEC A Legacy In Studio Monitoring New!

In this exclusive feature, PALM Expo Magazine dives deep into the leading choice for nearfield studio monitoring, Genelec. Learn how and why Genelec is the industry standard for unmatched precision in studio monitoring. read more

11 Questions With Marcus Graser, CEO of Claypaky New!

In a conversation with PALM Expo Magazine, Marcus Graser, CEO of Claypaky, discusses emerging markets in India, client management tactics, growth strategy and more. read more


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J Davis Prosound employs 24 L’ Acoustics K2 line arrays for BOA


The Bangalore Open Air (BOA) which is undoubtedly India’s Largest Metal Festival ran its fifth edition this year at the Royal Orchid Resorts on the outskirts of Bangalore. The BOA is the Indian licensee of the Wacken Open Air, which happens to be amongst the biggest metal festivals in the world. Conceptualized and promoted by Infinite Dreams, the festival draws die hard metal fans from not only the country but from neighbouring countries as well.


J Davis Prosound & Lighting having been onboard for last 3 open-air concerts of BOA was entrusted with Sound, Lights & Roof Trussing for the 4th year.


The L-Acoustics K2 rig was used for the first time at the BOA, having earlier used the L-Acoustics V-DOSC on previous editions. Keeping with the ethos of the international edition where technical production is always given top priority, Nikhil Pai, the tech director and FoH engineer for most bands of the Indian edition this year entrusted the responsibilities of the technical production to J Davis Prosound, Bangalore.


“I have always used the services of J. Davis Prosound for this festival as they have an extremely efficient crew and great gear to go with it” said Nikhil Pai.


J Davis Prosound employed 24 L’ Acoustics K2 line array elements for this year’s edition supplemented by 12 SB 28 Subwoofers in a cardioid delayed arc pattern. “I needed a system that had enough headroom with even coverage while still being loud and clear to cover the full outdoor venue and J Davis Prosound did a fantastic job of the system design”. Systems were designed and aligned by Bharath Patil from J. Davis Prosound. Some of the other speakers deployed also belonged to the L’ Acoustics family with DV-Dosc elements also being used for front fills and side fills. Monitoring was via Martin Audio LE 1500 series stage monitors.


An equally impressive lighting rig consisted of 48 Par 64’s, 16 Elation Platinum Beam 5R, 16 Silver Star Cyan 8000 XE, 12 Atomic Strobes 3000, 03 Look Haze Machines, 06 4 Lite Mole fays. Control was via a Pearl Avolites Console with LSC DMX Splitters.


Nikhil Pai said, “I am extremely delighted with how the technical production went off this year and so are the bands and the visiting engineers. I have personally been inundated with emails and messages on how good the system sounded and how flawlessly the change over’s were managed” said Nikhil Pai. Also helping tirelessly with the changeover’s and stage management were interns from the Audio Academy, a sound engineering college based out of Bangalore. “I cannot be happier with the team I had this year and it is naturally a no-brainer for me to continue with the same alliances for the future editions of the Bangalore Open Air”.



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