Current Issue : May - June 2022




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Articles May-Jun 2022

PALM SUMMIT Conference & SeminarNew!

Knowledge Quotient at PALM AV-ICN expo 2022
PALM SUMMIT Conference & Seminar

Manufacturers and distributors spend three fruitful days at PALM, exhibiting and showcasing their latest products, but beyond the enticing exhibition stands, are fringe events like the PALM Conference & Seminar Programme that are arguably the most valuable feature of the three days, wherein delegates ... read more

Articles May-Jun 2022


Global Pro Sound & Light Technology

PALM has selected the Top 50 Pro Audio and Lighting Products & Technology, trending in the National and / or international markets. The demand for advanced technology has made the industry competitive with global brands unveiling the latest product technology and new versions of equipment with upgraded ... read more

Articles May-Jun 2022


Glimpse of One of The Plants at Noida, U.P.

This year PALM + AV-ICN is honouring the AHUJA FAMILY for their Leadership of over Eight Decades in the Pro Audio Industry with the Lifetime Contribution to The Pro Audio Industry Award at the PALM Sound & Light awards. This award recognizes over Eighty Years of innovation, quality & reliability of brand AHUJA in meeting the demands of Pro Audio products in India. This award acknowledges their commitment to... read more

Articles May-Jun 2022


Awarded for highest standards in adopting best innovation and vision in AV Architecture This award has been instituted for an AV Architect chosen by AV-ICN platform to be recognized for the quality of his body of work, incorporating the best innovation and vision in AV architecture. In this feature, we highlight one of the most prestigious projects accomplished by Narendra Naidu - The Statue of Unity... read more

Articles Mar-Apr 2022


PALM Expo was launched in 2001, in response to the top music recording engineers in Bombay desiring a dedicated pro audio expo. Bombay was the music recording capital and Bollywood Bombay boasted of the big studios and big sound rental companies and the beginning of the big stage... read more

Articles Mar-Apr 2022

Milind Raorane Sets the Tone at ToyRoom MumbaiNew!

ToyRoom outfitted its second outpost in Mumbai with Electro-Acoustic Design Consultant Milind Raorane to deploy a comprehensive Sound and Audio design that would enhance the unapparelled ambience of the nightclub. PALM +AV-ICN Reports.
Nex Protection Technology

Located in Kalina, Mumbai, Toy-Room Mumbai is established on the premises of the vibrant and stylish Grand Hyatt, one of Mumbai's sophisticated leisure and business... read more

Articles Mar-Apr 2022

Post Pandemic Video Conferencing RiseNew!

Abdul Waheed is the Managing Director at EYTE Technologies. A CTS holder from Avixa, Member of the Certificate Committee of AVIXA, has been in the AV industry for more than two decades, delivering many successful projects across various segments. Abdul gives his overview of the video-conferencing industry and the latest market trends.

ommunication, the human connection is the key to personal and professional success. It is very important to have effective communication... read more

Articles Mar-Apr 2022

The CHORDFATHER Experience New!

Neumann's first Studio Monitor Experience Center in Mumbai
Nex Protection Technology

Recently Neumann in collaboration with well-known music composer, producer, sound engineer, and live engineer, Sunny M.R.'s Chordfather Productions announced the launch of its exclusive Studio Monitor Experience Center for audio professionals... read more

Articles Jan-Feb 2022

Understanding the Dynamic Evolution of Projection Technology with NEC New!

Humans have always wanted to bring their imagination to life. Introducing 2K / 4K projectors that deliver superior colors’ and high resolution has made that possible.
Nex Protection Technology

The high detail, true color rendition and cinema-like quality video of projectors are being leveraged by Artists, museums, schools and businesses alike to educate, attract and engage customers or to uplift and inspire people in new and innovative ways...... read more

Articles Jan-Feb 2022

Integrated System Design Crafts a Savvy Aural Experience Hot!

HARMAN Professional Solutions & ISD install a comprehensive Aural setup at Pass Code Hospitality newly opened restaurants.
Integrated System Design

When Pass Code Hospitality opened three new bustling restaurants in Lower Parel, Mumbai, they reached out to HARMAN Professional Solutions and Integrated System Design to deploy a comprehensive Aural setup that enhanced each restaurant's theme well....... read more

Articles Jan-Feb 2022

Star Dimensions India accomplishes STATE-OF-THE-ART- LIGHTING ARCHITECTURE for the "BANDRA WONDERLAND" project in Mumbai New!

Ashish Mehta & Becket Tundatil Creatively Execute Seamless Architectural Lighting Design at the Iconic Bandra-Worli Sea Link.
Bandra-Worli Sea

Between 24th December 2021 and 2nd January 2022, the project came alive as the sun set on the city - with the entire 1.5 km of the Bandra Reclamation promenade being engulfed in specially themed displays that emphasized the four different seasons of the year, boasting different eye-catching..... read more

Articles Jan-Feb 2022

Understanding the Pro-Audio Market with Sennheiser New!

Sennheiser is a leading manufacturer of headphones, loudspeakers, microphones, and wireless transmission systems and has been creating unique sound experiences for customers. PALM+ AV-ICN got in touch with Vipin Pungalia, Director, Sales - Pro Audio & Country Manager, Sennheiser - India, to learn more about the company's plans for the Indian market.
Vipin Pungalia Pro Audio Country Manager Sennheiser

The live music industry had seen a boom before the third wave of COVID stuck. What are the current industry sentiments, and do you think that the industry is poised to see a boom again? India has always been a music-loving country, for global as well as local artists..... read more

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3D In Ear Mixing

Disclaimer – You can use this technology with your standard earphones, custom built in-ears as well as headphones, off course the better the quality the better the experience

When I first brushed about this technology a couple of years ago I had my reservations that this must be another mumbo jumbo spatial surround sound device and a typical new thing on the block that everyone talks about on trade fairs and that we must go and take a listen.

Whilst all the big players in the loudspeaker market are spending millions of dollars on their immersive audio market there was a small eco-system that saw that nobody was doing Immersive audio for IEM monitoring and forged ahead there, which culminated into a mature hardware/software solution. The moment I plugged the headphones on the booth, moving from stereo to spatial completely moved me and suddenly I figured that this is something special really special, however it wasn’t over out here because moving back from 3D to stereo was like ‘how the hell I have been working in this 2D space for all these years’ and that is really what leaves you thinking as to how amazing your monitoring world would be, to place the sound sources not just between left and right in your ears put into a 3D space. Welcome to the world of 3D Immersive Mixing.

Unlike the limitations of PA systems in venues in 3D monitoring the artist keeps both his earpieces in his or her ears then as a monitor engineer you have the creativity of spatial positioning and not panning the entire bands in-ears wherever you would like to create more room for your various sound sources.

3D in-ear monitoring is designed to be inserted into the existing signal chain between the monitor console and the IEMs (be they wired or wireless) and while the processing required is prodigious the process itself is really quite simple. It fabricates the kind of inter-aural delays and filtering that occur in the natural world, which our brains decode to give us accurate information on the placement of sound sources in a three dimensional sound field.

What will strike you is the degree of separation you get – it really lets you hear each individual instrument in its own space and makes the mix sound much more natural. After using it for a while switching back to stereo operation is a bit of a shock as the mix just collapses in your head and sits boringly between your ears – You have to then remind yourself that this is what every IEM mix normally sounds like. In ways to explain aurally what you would feel would be like moving from Black & White to Colour TV and then going back to B&W after you come back into stereo.

While a monitor console is still required it is relegated to a slightly subservient role where it just provides the inputs and channel processing. The separation you get in 3D mode means you don’t have to work quite so hard to ensure instruments don’t overlap and mask each other’s frequencies, which should help ensure less muddy mixes but could make it possible for non-engineers (or even the band themselves) to mix the monitors.

"A lot of people also think that this is really only for softer music and orchestral applications best however it is been proven on the road when it comes to heavy metal, playing songs fast and with the double bass its very hard to get the definition and now you can spatially place band, fx, vocals, ambience mics in 3D and there is a huge metal eco-system growing around 3D monitoring too."

Interestingly, under development an addition to the technologies are embedding a small motion tracker into your IEMs and enables the mix to respond to your head and body movements on stage and thus mimic the physical position of the instruments, keeping them anchored in space as you move around. There’s a lot of buzz right now about virtual reality but this promises virtual aurality.

What amazes me is how this technology has arrived fully formed – this is not a beta version of a concept which will improve over time but a fully realised end solution to a problem none of us knew existed. It’s one of those exciting new technologies that shift the paradigm. I fully expect that once people have tried it out they won’t want to go back to boring old 2D ears.

Why does this feel right the moment you listen to it is because the experience is more authentic and real-to-life than what a stereo-only representation provides.

A lot of people also think that this is really only for softer music and orchestral applications best however it is been proven on the road when it comes to heavy metal, playing songs fast and with the double bass its very hard to get the definition and now you can spatially place band, fx, vocals, ambience mics in 3D and there is a huge metal eco-system growing around 3D monitoring too.

The size of your mix, the quality of your mix, clarity, definition, space is something todays monitor engineers are seeking, they want to pick things out, they wish to create a lot more space in tiny drivers to make big wide sounding mixes at lower levels and really improve efficient workflow within the console, today you can realize that dream with 3D mixing.

For a monitor engineer the ultimate goal is exactly hearing what their artist is hearing and the trust level from stage to monitor-land to front of house has just got better.

Warren D’souza - Founder, Managing Director, & Working Member of Sound.Com
Instagram @warrendsouza

Current Issue : May - June 2022




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