Mega Sound Redefines Live Sound Excellence for The Brownprint
Tour
Mega Sound delivers a supreme audio experience at AP Dhillon's India Tour
Mega Sound India Pvt. Ltd. delivered an extraordinary audio production for AP
Dhillon's The
Brownprint Tour (Delhi & Chandigarh), leveraging advanced technology and precise engineering to
ensure an exceptional sound experience for the audience. The project demanded meticulous planning,
starting with revising CAD drawings provided by Trailblaze Productions. Using CAD's to
L-Acoustics'
SoundVision software, the team simulated and designed a 360-degree audio setup that
accounted for
every nuance of the venue's acoustics. The design ensured uniform sound pressure levels (SPL) and
coverage from stage ending to the venue's outermost boundaries, offering a seamless auditory
experience across all zones.
Under the leadership of Audio Director, Siddharth Chauhan, the team elevated this project
into a
realm of excellence. Their commitment to detail and innovative engineering transformed The
Brownprint Tour into an exceptional live sound experience for the audience. Every note, rhythm, and
sound resonated with pristine clarity, leaving a lasting impression and setting a new benchmark for
live sound production.
The heart of the system was a powerful array of L-Acoustics K Series speakers, comprising
32 K1 for
the main hangs with 24 K2 for down-fills, 12 KARA for fills, 8 ARCS II for
additional stage
coverage, and 32 KS28 subwoofers. These components were strategically deployed in
configurations
that included 8 main hangs, 12 fill clusters, and 8 sub clusters, ensuring precise coverage and no
audio dead zones in the 360-degree setup. Every element was calibrated to deliver pristine sound
quality, enabling the audience to experience the event at its fullest regardless of their location
in the venue.
Signal transport and processing were handled by the L-Acoustics P1 system processor, which served as
the AVB transport hub for seamless audio distribution. The system architecture incorporated
Luminex
Gigacore switches and L-Acoustics LS10, with signal transmission over CAT-6 cables.
For fail-safe
operations, a three-tier fallback system was implemented, consisting of AVB Primary, AVB
Secondary,
and Analog pathways. L-Acoustics Network Manager was deployed to monitor and control system
performance in real time, ensuring reliability and precision throughout the show.
Calibration and tuning were executed with an eye for perfection, utilising tools like M1 Platform
and Rational Acoustics SMAART for system alignment, SPL monitoring, and frequency response
optimisation. These tools ensured that every speaker component was tuned to deliver consistent
sound, maintaining clarity and balance from the stage's edges to the venue's perimeter.
To handle the dynamic requirements of the band, the team deployed DiGiCo Quantum consoles: a
Quantum
5 for FOH and a Quantum 338 for monitors. Both consoles were connected to SD racks
via Optocore gain
sharing, enabling precise control and seamless integration.
The collaboration between Mega Sound's team, the artist's technical crew, and the event organisers
played a crucial role in the event's success. Mega Sound's team included System Tech Devender
Jethi,
Stage Manager & Monitor A1 Swapnil Elpass, and Stage Techs Noel Raj and Mukul
Sindhu. Together, they
ensured the flawless execution of the project under the leadership of audio designer, Siddharth
Chauhan and Project head and Senior Audio Engineer Sanjay K. The partnership began
early in the
planning stages when Team Trailblaze Production brought Mega Sound onboard for this high-profile
project. "Our primary point of contact was Vinay Agrawal from Trailblaze, alongside AP
Dhillon's
Production Manager, establishing a direct and efficient communication line," the team stated. This
streamlined approach laid the foundation for smooth planning and execution, enabling all teams to
work cohesively from the outset.
From the start, the team focused on fostering clear and detailed communication. Essential documents
were shared, and a dedicated email communication channel with the production teams ensured
efficiency. As plans progressed and received approval, Mega Sound transitioned to developing an
Engineer Checklist for Inventory. This checklist was meticulously designed to ensure that every
piece of equipment, from microphones and mixers to amplifiers and cables, was accounted for. By
involving the engineering team in this process, the inventory met the technical and logistical
demands of the event. Regular updates and follow-ups helped keep everyone on the same page,
fostering collaboration and eliminating potential misunderstandings.
The culmination of meticulous planning and coordination was evident during the event's on-site
execution. With every team member well-informed and prepared, the setup and operations were carried
out smoothly without any last-minute confusion or disruptions. The pre-event efforts-from detailed
documentation and inventory checks to adaptive communication-ensured that all technical and
logistical aspects were handled professionally. "This synergy between Mega Sound, the artist's
technical crew, and the event organisers contributed to the overall success of the event," Mega
Sound's team shared.
To adapt their setup to the acoustics of different venues, Mega Sound paid meticulous attention to
design and execution. In Delhi, the event took place in an indoor arena, while Chandigarh was an
outdoor ground, requiring entirely different acoustic strategies. For the indoor arena in Delhi,
they focused on minimising reflections by carefully positioning the speakers to avoid major
interactions with reflective surfaces. A site reconnaissance conducted a day prior ensured that
their design and dimensions perfectly aligned with the venue's specifications. Rigging points were
verified, and the system was fine-tuned with precise alignments, resulting in impeccable sound
quality.
In Chandigarh, the outdoor ground posed a different challenge: significant temperature drops. The
team utilised cutting-edge technologies from L-Acoustics, such as Auto-filter with the help of P1
Sensors, to continuously monitor and adapt to temperature changes. These tools allowed
adjustments
to frequency ranges dynamically, ensuring consistent sound quality from tuning through showtime.
"Through a combination of advanced technology and careful planning, we successfully delivered
high-quality audio tailored to each venue's unique requirements," the team explained.
Working on The Brownprint Tour proved to be incredibly beneficial for Mega Sound, helping the team
refine their approach and strengthen their ability to manage large-scale events. "Looking ahead,
we're thrilled about the exciting international collaborations and shows lined up in the coming
months. These opportunities promise to elevate our work to the next level, and we're eagerly looking
forward to them," Mega Sound expressed.
The most memorable parts of the project included overcoming challenges such as last-minute venue
changes in Chandigarh and weather-related hurdles. "What made it truly memorable was being part of a
360-degree infrastructure setup with a top-notch production crew. Delivering exceptional audio
quality throughout the venue made all our hard work and attention to detail worth it," the team
concluded. This moment, when everything came together seamlessly, was undoubtedly their proudest.