Current Issue : September-October 2024
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Articles September-October 2024

GENELEC A Legacy In Studio Monitoring New!

In this exclusive feature, PALM Expo Magazine dives deep into the leading choice for nearfield studio monitoring, Genelec. Learn how and why Genelec is the industry standard for unmatched precision in studio monitoring. read more

Articles September-October 2024

11 Questions With Marcus Graser, CEO of Claypaky New!

In a conversation with PALM Expo Magazine, Marcus Graser, CEO of Claypaky, discusses emerging markets in India, client management tactics, growth strategy and more. read more

Articles July-August 2024

Discover the Best Studio Microphones of 2024 New!

Unlock the full potential of your recordings with the latest studio microphones. This feature highlights exceptional products from leading brands that deliver unparalleled sound quality and durability. Explore the dynamic and condenser options redefining the pro audio market. read more

Upgrade Your Sound: 6 Reasons to Switch to Digital Wireless Microphones New!

From minimising interference to ensuring crystal-clear performance, find out why making the switch from Analogue to Digital can enhance your live shows. Elevate your audio and discover how digital systems offer superior sound quality, intelligent signal management, and hassle-free setup. read more

Phoenix Networks Makes International Debut at Kathmandu Music Festival 2024 New!

Phoenix Networks, in collaboration with Meyer Sound Panther and Leopard systems, celebrates a major milestone with its first international gig at the Kathmandu Music Festival 2024, enhances the vibrant cultural exchange in Nepal. Join us as we explore this landmark achievement and the future of Phoenix Networks on the world stage. read more

Leksa Lighting: Pioneering Professional Lighting Solutions New!

Leksa Lighting Technologies is revolutionizing the professional lighting industry in India with its cutting-edge LED solutions. Ronald Silva D'Souza delves deeper into how the brand is performing in the lighting market and its commitment to the 'Make in India' initiative read more


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Touring Console


Spotlight on Touring Consoles for live performances launched in 2019


Avantis – Allen & Heath


Avantis puts next-generation technology in a 64 channel / 42 configurable bus console, with dual Full HD touchscreens, a super-flexible workflow with Continuity UI, extensive I/O options, add-on processing from Allen & Heath’s flagship dLive mixing system.

Main features include:

  • 96kHz 64 channel / 42 bus digital mixer
  • XCVI FPGA core with ultra-low latency (0.7ms)
  • wdPack option, including 16 Dyn8 engines
  • 12 RackExtra FX slots with dedicated stereo returns
  • 16 DCAs
  • AMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones
  • Fully assignable layout
  • 144 fader strips (24 faders, 6 layers) with optional dedicated master section
  • SLink port for connection to Remote I/O Expanders and the ME Personal Mixing System
  • 12 analogue XLR Inputs / 12 analogue XLR Outputs
  • 1 Stereo AES In / 2 Stereo AES Out
  • 2 I/O Ports, both capable of 128x128 operation at 96kHz
  • User configurable rotary controls
  • 24 assignable SoftKeys
  • Comprehensive metering with multi-point peak detection
  • Internal storage for stereo playback and recording
  • USB stereo playback
  • BNC Word Clock

Technical Specifications:

  • Mic/Line XLR Inputs: Balanced XLR, +48V phantom power
  • Mic/Line Preamp: Fully recallable
  • Input Sensitivity:-60 to +15dBu
  • Analogue Gain: +5 to +60dB, 1dB steps
  • Maximum Input Level: +30dBu (PAD in)
  • Input Impedance: >4kΩ (Pad out), >10kΩ (Pad in)
  • Digital Inputs: AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω SRC range 24 bit, 32k - 192kHz, with bypass option
  • Dynamic Range: 109dB
  • System Signal to Noise: -92dB
  • Frequency Response: 20Hz - 30kHz (+0/-0.8dB)
  • THD+N (analogue in to out): 0.0015% @ +16dBu output, 1kHz 0dB gain
  • Internal operating Level: 0dBu
  • Analogue XLR Outputs: Balanced, Relay protected Output Impedance
  • Output Impedance: <75Ω
  • Nominal Output: +4dBu = 0dB meter reading
  • Maximum Output Level: +22dBu
  • Digital Outputs: AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω 96kHz sampling rate, globally switchable to 48kHz, 44.1kHz
  • Operating Temperature Range: 0 deg C to 40 deg C 32 deg F to 104 deg F
  • USB Audio playback: Mono/stereo.
  • WAV files, 16/24bit, 44.1/48/96kHz, MP3 files, FLAC files
  • Width x Depth x Height (Boxed): 1100 x 850 x 425 mm 43.3” x 33.5” x 16.7”
  • Weight: 34kg 75lbs

Behringer Wing


The Behringer WING is a 48-stereo-channel digital mixer. The WING control surface utilizes a large capacitive touchscreen interface with touch-sensitive rotary controls for a new ease of operation.

Main features include:

  • 28 stereo buses
  • 24 smooth-feeling motorized 100mm faders
  • 1” capacitive touchscreen, adjustable display wheel, and rotary controls
  • 8 MIDAS Pro mic preamps and MIDAS outputs
  • “Plug and play” remote I/O connectivity for up to 144 input and output signals over 3 AES50 ports
  • AES50 networks compatible with MIDAS M32 and Behringer X32 mixers
  • Optional expansion cards supply Dante, SoundGrid, or MADI support
  • Built-in 48-in/48-out USB audio interface with HUI and Mackie Control DAW remote functionality
  • Each channel can be either mono, stereo, or mid-side
  • 16 true-stereo processors with effects from Pultec, SSL, SPL, Neve, Focusrite, dbx, Universal Audio, Elysia, and Empirical Labs
  • Auto Pilot supplies fast and dependable automixing with 2 groups of gain sharing
  • Dual solo/monitor buses per channel for monitoring over phones/IEM and/or floor wedges
  • Support for binary and OSC communication for remote operation
  • WING Co-Pilot tablet app enables you to label or set parameters while patching from the stage

Technical Specifications:

  • Channels: 48 Stereo (40 x channel, 8 x aux)
  • Inputs - Mic Preamps: 8 x XLR-1/4” combo (mic/line)
  • Phantom Power: Yes
  • Outputs - Main: 8 x XLR
  • Inputs - Digital: 1 x XLR (AES/EBU), 3 x EtherCON (AES50 SuperMAC), 1 x XLR (Stage CONNECT)
  • Outputs - Digital: 1 x XLR (AES/EBU), 3 x EtherCON (AES50 SuperMAC), 1 x XLR (StageCONNECT)
  • Send/Return I/O: 8 x 1/4” TRS (aux in), 8 x 1/4” TRS (aux out)
  • Busses/Groups: 8 x Stereo Matrix, 4 x Stereo Mains, 16 x Aux Stereo Bus
  • Inserts: Dual Inserts per Bus, FX Insert Slot
  • MIDI I/O: In/Out
  • Data I/O: 2 x Ethernet (control/audio network)
  • Remote: 1 x 1/4” (GPIO 1-2), 1 x 1/4” (GPIO 3-4)
  • USB: 1 x Type B, 1 x Type A
  • Computer Connectivity: USB 2.0, 24-bit/48kHz (48 x 48)
  • I/O Expansion Slots: 1 x Expansion Port (24-bit/48kHz)
  • Headphones: 2 x 1/4”
  • Faders: 24 x 100mm Motorized
  • A/D Resolution: Up to 24-bit/192kHz
  • EQ Bands: 6-band Parametric EQ (channel), 8-band Parametric EQ (bus), Additional EQs and Configurations
  • Effects: 8 x Premium FX Stereo Processors, 8 x Standard FX Stereo Processors, 5 x Variable Plug-in Slots
  • Signal Processing: Full Dynamics Processing
  • DAW Control: Yes (HUI, Mackie)
  • Screen: 10” Capacitive Touchscreen, Adjustable Swivel
  • Storage: 2 x SD Card Slot (dual 32 track max)
  • Height: 7.9”
  • Depth: 22.6”
  • Width: 34.3”
  • Weight: 52.8 lbs.

PreSonus StudioLive 32SC


The StudioLive 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications.

Main Features include:

  • Dual-core PreSonus FLEX DSP Engine
  • State Space-Modeled Fat Channel compressor and EQ plug-ins
  • FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses
  • 128-channel (64x64) recording over USB
  • Onboard multitrack SD Card recorder with true Virtual Soundcheck
  • AVB Networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers
  • Per channel digital patching from any analog, AVB, USB, or SD Card source
  • DAW Control (Advanced Studio One control integration/MCU emulation for Logic/HUI emulation for Pro Tools)
  • Expandable, plug-in processing with vintage EQ and compression options on every input channel and bus
  • 16 FlexMixes (aux mixes, subgroups, or matrix mixes)
  • 16 mic/line inputs with recallable XMAX preamps
  • 17 touch-sensitive, motorized faders

Technical Specifications:

Format

  • Number of channels: 32
  • Busses/groups: 26
  • Aux sends: 16

Inputs

  • Total inputs: 40
  • Mic preamps: 32
  • XLR/TRS combo jacks: 32
  • RCA in: 1 (pair)
  • USB: 2.0 Type B

Outputs

  • Total outputs: 15 (12 FLEX)
  • XLR out: 6 FLEX, 2 main, 1 mono
  • 1/4” out: 4 TRS
  • RCA out: 1 (pair)
  • AES / EBU: XLR Male

Other Connectivity

  • Connections: USB, 2.0
  • Headphone output(s): 1
  • Bluetooth 4.1
  • Word-clock I/O: No
  • I/O expansion: No

Equalization

  • Type: 10 plugins
  • EQ bands: Various types
  • Master graphic: No

Other

  • Width: 17.59”
  • Height: 6.51”
  • Depth: 22.97”
  • Weight: 23.15 lb.

Solid State Logic L550


Solid State Logic’s L550 is powered by Tempest, a fourth generation digital audio platform and features a total of 288 processing paths, 36 matrix outputs and 48 VCAs, assignable to any of the 36 + 2 faders on the control surface.

Main Features include:

  • 96kHz operation
  • 19” multi-touch screen control with assignable hardware controls
  • Live Channel architecture
  • Live local I/O and Stageboxes to deliver SuperAnalogue performance
  • frequency response within 0.05 dB from 20 Hz to 20 kHz and THD of 0.005%
  • Channels and Stem Groups
  • Color Function for visual cues
  • Unique Eyeconix display enables bitmap images to be displayed
  • External screens can be connected directly
  • Fader tiles with 12 fader strips each
  • Layer and Bank Keys with LCD displays

Technical Specifications:

  • Weight: 85Kg (187lbs)
  • Width: 1,191mm (46.9”)
  • Power Supply: Two redundant as standard
  • Main touch-screen: 19” 1,500 Nits
  • Channel Control Tile: Standard
  • Maximum I/O: up to 1136 in /out
  • Local Dante: Optional 32x32 redundant pair
  • X-Light: Optional redundant pair
  • Blacklight II: Optional redundant pair
  • MADI FX loop: Optical in/out x 1
  • MADI ports (coax/optical): 16 (8 redundant pairs)
  • Local AES/EBU I/O: Up to 8 pairs (with SRC)
  • Local analogue I/O: 32 mic/line, 32 line out
  • Sample rate: 96 kHz or 48kHz
  • FX types: 45+
  • FX Slots: 96
  • VCA’s:48
  • Matrix: 4 x 32 inputs / 36 outputs
  • Fader Tiles: Three (36 +2 faders)
  • Paths 288 (240 full, 48 dry)

Waves eMotion LV1 Proton


The eMotion LV1 Proton system includes the eMotion LV1 16-channel live software mixer, a SoundStudio STG-1608 SoundGrid-compatible stagebox, a SoundGrid Proton server, the Axis Proton Waves-optimized computer, a 24-inch Dell touchscreen, a 1U rack shelf, an 8-port network switch and network cables, plus three plugins specifically designed and optimized for live sound: eMo F2 Filter, eMo D5 Dynamics, and eMo Q4 Equalizer.

Main Features include:

  • Complete cost-effective mixing solution
  • eMotion LV1 16-channel (mono/stereo) mixer with Waves eMo plugins
  • SoundStudio STG-1608 stagebox (16-in/8-out)
  • SoundGrid Proton Server
  • Axis Proton Waves-optimized computer
  • 1U Rack Shelf
  • 24” Dell touchscreen
  • 8-port network switch and CAT6 Ethernet cables
  • Includes MyMon - a mobile app for stage monitoring control (coming soon)

The touch-optimized eMotion LV1 software mixer features 16 mono/stereo channels, each with a plugin rack that can host up to eight SoundGrid-compatible plugins for real-time processing.

The included SoundStudio STG-1608 is a sturdy SoundGrid stage box, featuring 16 mic/line inputs with high-end preamps that can be controlled directly from the LV1 mixer.

The Axis Proton computer is optimized to handle eMotion LV1’s processing power and perform in challenging environments.


Current Issue : September-October 2024
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