Current Issue : September-October 2024
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Articles September-October 2024

GENELEC A Legacy In Studio Monitoring New!

In this exclusive feature, PALM Expo Magazine dives deep into the leading choice for nearfield studio monitoring, Genelec. Learn how and why Genelec is the industry standard for unmatched precision in studio monitoring. read more

Articles September-October 2024

11 Questions With Marcus Graser, CEO of Claypaky New!

In a conversation with PALM Expo Magazine, Marcus Graser, CEO of Claypaky, discusses emerging markets in India, client management tactics, growth strategy and more. read more

Articles July-August 2024

Discover the Best Studio Microphones of 2024 New!

Unlock the full potential of your recordings with the latest studio microphones. This feature highlights exceptional products from leading brands that deliver unparalleled sound quality and durability. Explore the dynamic and condenser options redefining the pro audio market. read more

Upgrade Your Sound: 6 Reasons to Switch to Digital Wireless Microphones New!

From minimising interference to ensuring crystal-clear performance, find out why making the switch from Analogue to Digital can enhance your live shows. Elevate your audio and discover how digital systems offer superior sound quality, intelligent signal management, and hassle-free setup. read more

Phoenix Networks Makes International Debut at Kathmandu Music Festival 2024 New!

Phoenix Networks, in collaboration with Meyer Sound Panther and Leopard systems, celebrates a major milestone with its first international gig at the Kathmandu Music Festival 2024, enhances the vibrant cultural exchange in Nepal. Join us as we explore this landmark achievement and the future of Phoenix Networks on the world stage. read more

Leksa Lighting: Pioneering Professional Lighting Solutions New!

Leksa Lighting Technologies is revolutionizing the professional lighting industry in India with its cutting-edge LED solutions. Ronald Silva D'Souza delves deeper into how the brand is performing in the lighting market and its commitment to the 'Make in India' initiative read more


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Taylor, Taylor




Taylor, Taylor | Viraf Pocha Viraf Pocha

Hey! I grew up on Rock Music. Loud, brash, breaking every rule of polite society and rubbing truth and honesty into the established order.

Me and so many of my generations loved it. It opened so many new ways of living and how we navigate the world.

Some of us were lucky to ride along with the wave. The lucky ones were not consumed by the excesses this new way of life offered.

The gap between the successful and the not so successful increased. (Note: I'm not saying 'failures')

Part of this new way of life widened the gap between the top and the very top. And that gap gets wider every year.

Clapton, The Stones, Beatles, Floyd, Stewart, Elton, Gabriel, Genesis, Fleetwood, Bowie and all gushed forth from one community. While they thumbed their noses at the world, two factors kept them alive and relevant. Today, they are still ruling their world.

So many things helped them reached the rarefied strata they exist in today. Let's talk about the one relevant feature, relevant to our Indian Entertainment Electronic Industry - Light & Sound Equipment.

Incredible strides in entertainment electronics helped carry these 'Hero's' messages throughout the world. These guys started in clubs with sound boxes and dim lighting. Today slim, barely there speakers blast sound over stadiums and on some occasions cover areas over kilometres.

All this technology that helped us reach wider audiences actually made the world turn inward. The world became selfish and mean to their brothers. Nations, communities, and families all seemed to be in a state of war and dysfunction.

Corporate raiders who destroyed so much of what was built, hid behind the sanitised term - Creative Destruction. Entire forests were decimated, rivers and entire seas dried up and changed course. Man's plans seem to supersede even God's divine plan.

And just as we seem to wake up to this seemingly path to destruction - Taylor Swift arrives.

The entertainment world made lots of money, which means lawyers, managers, agents all providing a service for a slice of the pie. Trouble is after all their services not too much was left over for the musicians to actually write, compose and record things.

Failure was too much of risk to allow unfettered creativity. Creating music was no longer an artistic pursuit. Creativity by committee to please the suits and the marketing machinery. Formulas crept in. The successful formula followers made millions and were in demand by all the stars.

In a world that demanded we 'SEE' our music, pretty ladies with physical assets became sought after. Sounds were created that reflected a lifestyle that was aspired to. Sameness leads to staleness. Even Paris Hilton released an album.

Into that landscape, Taylor Swift was born. A young lady that knew her mind. For the sake of this piece lets fast forward to post-Covid times.

Our industry was perhaps worst affected. Total shut down. No work from home for us types.

Taylor kept doing what she loves - write stories in song. Straight from her heart. She wrote the stories the old-fashioned way - simply to express what she felt or observed of the world.

Yes, she definitely took help to craft the songs. Shape them. Produce them to be listenable and recognisable. But the core remained. The core that appealed to almost every young lady of her times. Stuff girls go though. Secretly and in private agony in a man's world where everybody has to toughen up.

Taylor is more of a story writer than a lyricist, which is not to diminish her song writing ability. But her songs round out an entire experience. Very little is hinted at - she's out there. Clear.

Her experiences touched so many hearts all over the world with their universal themes of love, fear of rejection, being rejected or rejecting and emerging out on top and owning it.

Boy! Does she do that in style.

And then she figured out (with her team) to stage them. Her shows were always long had great production value. But the ERA's tour has raised it to another level.

Perhaps she has not invented any special technology that was premiered for the tour. But what her team did do was take almost every cutting-edge technology that was out there and incorporated it into one cohesive unit that has wowed the world.

This new show of her's is a lesson on everything to do with stage.

Her songs are strong enough to be sat and listened to quietly. But she chose to do it with a full approach. Matching (and besting) anything Madonna, Beyonce, U2 have put out on stage. In my opinion full on shows all.

The era's tour follows a timeline rather than a storyline and each era is captured for its energy and attitude. Clearly shows a good artist transiting into a great one.

For more than three hours, she holds her audience in her thrall with great visuals, expression, musicianship and showmanship. Taking the audience along from teenage to middle aged comfort.

A huge achievement and must be applauded. All of this you can gather if you follow here Insta feeds and the ecstatic press. I've not seen one negative report. No jealousy, no angst, no rage, no negativity.

And that's what I have meandered to - the point of this piece.

I was lucky to see her live. I have two teenage daughters so I'm a Swifty by proxy. Over the years my ears picked up song after song. Subconsciously hummed along by a lyric or musical bridge I retained. When I asked - Who? My daughters first defiantly, the cheekily and soon exasperatedly grunted - Taylor.

And in the stadium, I saw that some look in thousands of eyes. I took my 14-year-old niece. It was her first concert. Hooked her for life (I think).

You go to any concert; the vibe is the same. People living an alternate life. Leather, tattoos. Rough, ready. A bit of bravado.

Taylor's was so different. There was a genuine aura of love and kindness in the air. In the queues for food and toilets. I'd heard that Taylor insists on clean toilets for all the ladies. Sweet smelling and full service. I actually saw that. For a stadium of 60,000 with at least 40,000 women and we few men.

A calm energy as everybody excitedly shared friendship bracelets and decorated lyric sheets. Taylors persona and her music really brought out the best in everyone.

She was gentle with her adoring crowd. I'm sure she's used to it, but she exuded a charm and a joy by showing she was genuinely moved and touched by the reception her fans gave her. Her music was so diverse and so, obviously different sections of the stadium reacted with varying enthusiasm to different sections of the show. Even from the stage, she was quick to spot and react to different sections of the crowd. Not the normal - 'Now the people on the left.'

I don't know how she did it, but she did. Her spotting people who need help has become legendary and we saw that first hand. And quickly the stadium staff responded. I told the staff is paid to come in a day earlier and are trained to manage this.

I know other bands are also doing this. The great Rolling Stones who had the Hells Angels get over enthusiastic in the 1970's are doing it too. Though at 80, Jaggers unflagging energy on stage, it's amazing that they did an entire tour with zero health issues. Will we see the Stones celebrating their 70 years on stage? On their 75th year as a band, Jagger will be 93. His dad lived till 93, so there is a chance.

Taylor Swift is 35. I hope the world adopts her spirit and her grace. We need her ability to strip away ego and artifice and own their vulnerability and fear, knowing they are not unique. That every one of us is flawed and sometimes fallen human and as the Beatles said, 'All we need is love.'

Taylors and her fans live it. That's a world I want to be a part of.

I saw our technology put to the best use possible to bring people together. We may be different, but we all experience the same things.

Taylor wants us to share all our joys and sorrows. Bring out the best in each of us and get us dancing together.

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