Current Issue : September-October 2024
Read/Download

OR

Flipbook

OR

To The FREE Digital Magazine And Newsletters

Articles September-October 2024

Mastering Sound Engineering with The Awesome Sound Engineer New!

At the PALM Expo Conference 2024, renowned Sound Engineer, Sreejesh Nair, shared his experience on technical aspects of sound engineering. read more

Amoeba Bowling & Sports Bar Revitalizes Its Sound System New!

Amoeba Bowling & Sports Bar at Phoenix Market City, Kurla, embarked on a significant upgrade to modernize its facility with SoundTube. read more

The Indian Music Industry Today: A Melodic Fusion of Tradition, Innovation, and Growth New!

Explore the evolving Indian music industry in this in-depth article featuring insights from IRAA Jury members and industry leaders. read more

Setting New Standards in Nightlife Sound Quality with d&b audiotechnik New!

Revolution Bar in Pune transforms its nightlife experience with d&b audiotechnik's advanced sound system. read more

N-Labs: Revolutionizing India's Pro-Audio Landscape New!

N-Labs, founded by Hemal Bhatt, is revolutionizing India's pro-audio industry with its innovative products, user-first design, and customer service. read more

CSC Audio: Fusing German Engineering with Indian Craftsmanship New!

CSC Audio blends German engineering with Indian craftsmanship to create high-quality pro audio products, with a focus on performance and sustainability. read more

GENELEC A Legacy In Studio Monitoring New!

In this exclusive feature, PALM Expo Magazine dives deep into the leading choice for nearfield studio monitoring, Genelec. Learn how and why Genelec is the industry standard for unmatched precision in studio monitoring. read more

11 Questions With Marcus Graser, CEO of Claypaky New!

In a conversation with PALM Expo Magazine, Marcus Graser, CEO of Claypaky, discusses emerging markets in India, client management tactics, growth strategy and more. read more


Show More

Virus Wanes




Virus Wanes | Viraf Pocha Viraf Pocha

Trying to Peer into Life After Covid.

The Live Event Industry has been decimated across the world. Jobs lost, careers killed, Companies ravaged. But we held on. Knowing that good days always follow storms.

Looks like storms are clearing and there is talk (in the metro cities) that events will be allowed to happen. Apart from the Government mulling permissions, there is also a sense from a large number of clients that they are dying to stage LIVE events, as long as they are safe from medical and/or legal complications.

The authorities have taken their share of brickbats on how they have managed the crisis. To be fair they were caught off balance as much as we were. Their primary duty was to save lives. Reports of medical shortages all around quietened people down as we all retreated in fear.

Yes, we all suffered economic hardships. Yes, far too many colleagues and family members met untimely ends. Tragic Indeed. But we also have stories of fighters who pulled back from the brink and recovered.

I understand that there is no balance or justification in touting numbers when our near and dear ones have been vulnerable. Adding to our mental anguish was that most of us were sitting on our hands.

A few resourceful ones found something to do. Some used this opportunity to be of service to our communities. Whatever we went through and however each of us individually managed to cope, the experience has changed us. The Events business is a run run, go go business.

After years we were able to just sit and think. Sooner or later we all came around to thinking of the future. What our careers have meant to us and our families. What realistic expectations do we have for ourselves in the future? Even Pre Covid some trends in our Industry were clear. Primarily

  1. Budgets were shrinking. Clients were demanding more and more and were willing to pay less and less.
  2. The Event Managers were winning Technical Contracts as part.

of a package deal. Even the largest Event Technology Houses were being demoted to sub-contractors. There was huge interest in young people for creating careers in this world. Sadly, when confronted with the scale of the work and diminishing rewards, a large number just stagnated while looking for other avenues to supplement Income.

  1. (Which was great so that they an avenue to turn to when Covid Hit.)
  2. Television was changing to the tastes of their Viewers. Reality and Talent Shows were becoming more and more extravagant but sagging TRP's was a concern.
  3. The video was slowly taking over from all other mediums. Steadily, spending on Video overtook spending on Lights and Sound. Even Sets were replaced by larger and larger LED Screens. For variety, the LED screens were now shaped and staggered to create unique architecture. Have I missed anything?

Then Covid Brought Things to a standstill. Events people by nature are energetic and want to be on their feet. All of us began looking for activity. Dozens of Webinars were hosted to educate our people. Equipment was overhauled and serviced. All the long-standing, back end work that we simply did not have time for, was addressed. And we still had time on our hands. Some of us went in for an upskilling. We heard of the odd event. Weddings were cautiously arranged. Some activity took place, even though the scale was missing. We kept hearing of pent up activity that was supposed to come roaring in within a few weeks. Nothing meaningful, so far.

A few pockets which were in the right place to fit within the Government dictates thrived. Everybody had lots of time to think of the future and what it holds for us. I have been chatting with some colleagues. Grizzled old dogs and some young Turks.

Here's a summary of their thoughts. Shrinking Budgets seems to be the biggest area of concern. Many Reasons are put forth. To My Mind, the single biggest reason is the lack of engaging content. Just Great sound Great Lighting or Great Visuals are not enough to carry the day.

Even the smallest of shows demand Sophisticated Sound AND Lights AND Video Equipment. The sad part is that Content does not match - and so the end effect to the Client is underwhelming. Clients are leaning on technology - Not on Content. Perhaps that is what they are being sold. But the equation is not working, and Clients are walking away dissatisfied.

So, despite State of art equipment being employed the Client does not seem to be happy with the bang for his buck. We have to be able to address that. To create shows that are both pleasing and elicit 'Maaja aa Gaya' using equipment that can be rented at a reasonable cost.

If we do that then the second issue, we all face would be taken care of (IN My View). That of Fairness. The standard story we hear from investors is, 'I invested so much money - where is my return.' While Technicians say, 'I've invested so much time, mastering the machine and editing the content to address all the changes demanded - I'm not paid a fraction of what I think I'm worth' This equation must be addressed and balanced FAIRLY for both sets of stakeholders. The Third Issue that keeps cropping up is - Cost of Doing Business.

With the current overhaul of business and tax parameters set by the government and its very strict compliance rules. In our own businesses, as well as meeting Compliance issues now being demanded by clients. Who in turn are also following Government Norms.

Ours being a Buyers' market, we are forced to turn somersaults to meet these norms or lose business. These hidden costs, that we only come to know off after contracts have been awarded and sometimes even after advances are paid, shrink margins even more. Today there is the added cost of Covid protocols that the government has established. To date, I have not heard of one client, one venue or one production team that is even willing to discuss how to make this a win-win for all of us. I just see more and more powers being handed to security as nobody wants to be saddled with these responsibilities.The Event crew is more focused on meeting security compliance norms. Inevitably the content and creativity.

Budgets were shrinking. Clients were demanding more and more and were willing to pay less and less. We are slowly moving to an Entertainment Economy. Look at our Malls.

They have gone beyond being simple shopping centers and have now extended their role to Entertainment centers. Right now, most mall entertainment is free - But if we can figure out a way to monetize the mall experience, I'm sure it could open many doors for all of us. Not Just Malls. Museums, Multimedia Experiences, and Installations in the unlikeliest of areas are a huge opportunity for people with our skill sets. Tread Intelligently my Fellow Entertainment Techies.

Make wise choices and I pray all of us to use this 'Covid Pause' to emerge Better and Stronger than we were before

Current Issue : September-October 2024
Read/Download

OR

Flipbook

OR

To The FREE Digital Magazine And Newsletters

Archives

Palm Expo Magazine September-October 2024 Palm Expo Magazine September-October 2024
Palm Expo Magazine July-August 2024 Palm Expo Magazine July-August 2024
Palm Expo Magazine May June 2024 Palm Expo Magazine May June 2024
Palm Expo Magazine Mar Apr 2024 Palm Expo Magazine Mar Apr 2024
X