Current Issue : September-October 2024
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Articles September-October 2024

Mastering Sound Engineering with The Awesome Sound Engineer New!

At the PALM Expo Conference 2024, renowned Sound Engineer, Sreejesh Nair, shared his experience on technical aspects of sound engineering. read more

Amoeba Bowling & Sports Bar Revitalizes Its Sound System New!

Amoeba Bowling & Sports Bar at Phoenix Market City, Kurla, embarked on a significant upgrade to modernize its facility with SoundTube. read more

The Indian Music Industry Today: A Melodic Fusion of Tradition, Innovation, and Growth New!

Explore the evolving Indian music industry in this in-depth article featuring insights from IRAA Jury members and industry leaders. read more

Setting New Standards in Nightlife Sound Quality with d&b audiotechnik New!

Revolution Bar in Pune transforms its nightlife experience with d&b audiotechnik's advanced sound system. read more

N-Labs: Revolutionizing India's Pro-Audio Landscape New!

N-Labs, founded by Hemal Bhatt, is revolutionizing India's pro-audio industry with its innovative products, user-first design, and customer service. read more

CSC Audio: Fusing German Engineering with Indian Craftsmanship New!

CSC Audio blends German engineering with Indian craftsmanship to create high-quality pro audio products, with a focus on performance and sustainability. read more

GENELEC A Legacy In Studio Monitoring New!

In this exclusive feature, PALM Expo Magazine dives deep into the leading choice for nearfield studio monitoring, Genelec. Learn how and why Genelec is the industry standard for unmatched precision in studio monitoring. read more

11 Questions With Marcus Graser, CEO of Claypaky New!

In a conversation with PALM Expo Magazine, Marcus Graser, CEO of Claypaky, discusses emerging markets in India, client management tactics, growth strategy and more. read more


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Studio Technologies Redefines Quality and Flexibility in New Announcer’s Consoles




Studio Technologies has launched a new series of Announcer’s Consoles with DanteAudio-over-IP connectivity, superior audio quality, and a flexible set of features that supports a wide range of live commentary and related applications. The new line of Announcers Consoles includes three products – the Model 232, Model 234, and Model 236. All feature a “pro quality” microphone input circuit, Dante and analog output channels, plus two, four, or six talkback inputs and outputs. Each unit can be easily incorporated into a Dante- or AES67-based network and is compatible with the Dante Domain Manager (DDM) application.

“We designed these units such that they can be used as part of just about any on-air or live-event commentary application,” says Gordon Kapes, President of Studio Technologies. “In addition to their terrific sonic performance, we built-in an incredible number of options that let their performance be easily optimized. We’ve also included some unique, specialized features so they will work very well in REMI/At-home applications.”

The unit’s high-performance microphone preamplifier features selectable gain over a range of 20- to 65-dB with available P48 phantom power. For flexibility, an external source of audio, arriving by way of a Dante receiver (input) channel, can be used instead of the microphone input. This allows devices, such as wireless microphones, to be directly supported. A Dante transmitter (output) channel is provided as the main or “on-air” output. In addition, an analog microphone-level output is available to allow the unit to be integrated with analog inputs on audio consoles or remote I/O interfaces.

A stereo headphone output and associated rotary controls allows a user to create their own monitor mix. Each unit provides two Dante receiver (input) channels, typically used for their program or talent cue (IFB) input sources. In addition, each talkback channel has a Dante receiver (input) channel associated with it. This allows a Model 236 user to create an individual headphone mix from up eight audio inputs channels. In addition, a sidetone function provides the user with a microphone confidence signal.

The unit is housed in a compact, rugged enclosure and provides all the resources required by one announcer or commentator. Two spare connector locations are available on the back panel, allowing installer-implemented options to be created. By simply adding an XLR connector the unit’s remote-control inputs and low-voltage DC tally output can be utilized.

The Studio Technologies’ STController software application is used to configure the capabilities of the Model 232, Model 234, and Model 236. Configuration choices can be viewed and changed in “real time,” as well being saved and recalled as desired.

Many unique functions can be created utilizing high-frequency tones that are well outside of the voice range.

“There are not many applications that these units can’t support,” comments Kapes. “We’ve broken through the concept of the simple ‘talkback box’ by combining high-end audio quality with an extensive set of easy-to-deploy resources. These units simply perform beyond anything we’ve done before – and in a way that should please both engineering managers and on-air talent.”

Current Issue : September-October 2024
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