Current Issue : May - June 2022
Read/Download

OR

Flipbook

OR

To The FREE Digital Magazine And Newsletters

Articles May-Jun 2022

PALM AV-ICN Exhibitor ListingNew!

Exhibitor Listing

Exhibitors spent three fruitful days at the PALM AV-ICN 2022, showcasing latest products and solutions. Browse through the list of all 2022 PALM AV-ICN exhibitors. Exhibitor information is provided solely for the use of attendees to search for brands /products / services offered by exhibiting companies.... read more

Articles May-Jun 2022

TOP 50 PRODUCTS & TECHNOLOGYNew!

Global Pro Sound & Light Technology
TOP 50 PRODUCTS & TECHNOLOGY

PALM has selected the Top 50 Pro Audio and Lighting Products & Technology, trending in the National and / or international markets. The demand for advanced technology has made the industry competitive with global brands unveiling the latest product technology and new versions of equipment with upgraded ... read more

Articles May-Jun 2022

OUTSTANDING CONTRIBUTION TO THE PRO AUDIO INDUSTRYNew!

Glimpse of One of The Plants at Noida, U.P.

This year PALM + AV-ICN is honouring the AHUJA FAMILY for their Leadership of over Eight Decades in the Pro Audio Industry with the Lifetime Contribution to The Pro Audio Industry Award at the PALM Sound & Light awards. This award recognizes over Eighty Years of innovation, quality & reliability of brand AHUJA in meeting the demands of Pro Audio products in India. This award acknowledges their commitment to... read more

Articles May-Jun 2022

AV ARCHITECT OF THE YEARNew!

Awarded for highest standards in adopting best innovation and vision in AV Architecture This award has been instituted for an AV Architect chosen by AV-ICN platform to be recognized for the quality of his body of work, incorporating the best innovation and vision in AV architecture. In this feature, we highlight one of the most prestigious projects accomplished by Narendra Naidu - The Statue of Unity... read more

Articles Mar-Apr 2022

PALM AV-ICN 2022 SHOW PREVIEWNew!

PALM Expo was launched in 2001, in response to the top music recording engineers in Bombay desiring a dedicated pro audio expo. Bombay was the music recording capital and Bollywood Bombay boasted of the big studios and big sound rental companies and the beginning of the big stage... read more

Articles Mar-Apr 2022

Milind Raorane Sets the Tone at ToyRoom MumbaiNew!

ToyRoom outfitted its second outpost in Mumbai with Electro-Acoustic Design Consultant Milind Raorane to deploy a comprehensive Sound and Audio design that would enhance the unapparelled ambience of the nightclub. PALM +AV-ICN Reports.
Nex Protection Technology

Located in Kalina, Mumbai, Toy-Room Mumbai is established on the premises of the vibrant and stylish Grand Hyatt, one of Mumbai's sophisticated leisure and business... read more

Articles Mar-Apr 2022

Post Pandemic Video Conferencing RiseNew!

Abdul Waheed is the Managing Director at EYTE Technologies. A CTS holder from Avixa, Member of the Certificate Committee of AVIXA, has been in the AV industry for more than two decades, delivering many successful projects across various segments. Abdul gives his overview of the video-conferencing industry and the latest market trends.

ommunication, the human connection is the key to personal and professional success. It is very important to have effective communication... read more

Articles Mar-Apr 2022

The CHORDFATHER Experience New!

Neumann's first Studio Monitor Experience Center in Mumbai
Nex Protection Technology

Recently Neumann in collaboration with well-known music composer, producer, sound engineer, and live engineer, Sunny M.R.'s Chordfather Productions announced the launch of its exclusive Studio Monitor Experience Center for audio professionals... read more

Articles Jan-Feb 2022

Understanding the Dynamic Evolution of Projection Technology with NEC New!

Humans have always wanted to bring their imagination to life. Introducing 2K / 4K projectors that deliver superior colors’ and high resolution has made that possible.
Nex Protection Technology

The high detail, true color rendition and cinema-like quality video of projectors are being leveraged by Artists, museums, schools and businesses alike to educate, attract and engage customers or to uplift and inspire people in new and innovative ways...... read more

Articles Jan-Feb 2022

Integrated System Design Crafts a Savvy Aural Experience Hot!

HARMAN Professional Solutions & ISD install a comprehensive Aural setup at Pass Code Hospitality newly opened restaurants.
Integrated System Design

When Pass Code Hospitality opened three new bustling restaurants in Lower Parel, Mumbai, they reached out to HARMAN Professional Solutions and Integrated System Design to deploy a comprehensive Aural setup that enhanced each restaurant's theme well....... read more

Articles Jan-Feb 2022

Star Dimensions India accomplishes STATE-OF-THE-ART- LIGHTING ARCHITECTURE for the "BANDRA WONDERLAND" project in Mumbai New!

Ashish Mehta & Becket Tundatil Creatively Execute Seamless Architectural Lighting Design at the Iconic Bandra-Worli Sea Link.
Bandra-Worli Sea

Between 24th December 2021 and 2nd January 2022, the project came alive as the sun set on the city - with the entire 1.5 km of the Bandra Reclamation promenade being engulfed in specially themed displays that emphasized the four different seasons of the year, boasting different eye-catching..... read more

Articles Jan-Feb 2022

Understanding the Pro-Audio Market with Sennheiser New!

Sennheiser is a leading manufacturer of headphones, loudspeakers, microphones, and wireless transmission systems and has been creating unique sound experiences for customers. PALM+ AV-ICN got in touch with Vipin Pungalia, Director, Sales - Pro Audio & Country Manager, Sennheiser - India, to learn more about the company's plans for the Indian market.
Vipin Pungalia Pro Audio Country Manager Sennheiser

The live music industry had seen a boom before the third wave of COVID stuck. What are the current industry sentiments, and do you think that the industry is poised to see a boom again? India has always been a music-loving country, for global as well as local artists..... read more


Show More

Mixing for Large Concerts

by Fali Damania

Sound for large events requires special attention. In the next few paragraphs I will enlist ways to get the best possible result leaving your audience satisfied and hopefully the job Secure!

As a mix engineer it is our responsibility to make certain decisions with regards to the aural representation of the production. Be it overall loudness, spectral balance or genre specific treatment, certain decisions need to be thought of and made way in advance. Here are a few strategies I use to tackle sound for some of the largest events, be it Music, Sporting or Corporate.



Catch up on SLEEP

YES!! I ensure I get 2 full days of rest before any major event. Lack of sleep has a way of altering your hearing response. This manifests into issues like sinus and a feeling of blocked ear and nasal canal. This in turn would lead to un-natural equalization resulting in the source sounding harsher and unpleasant.

Never underestimate the importance of a venue walk around. Front to back, top to bottom. If nothing else you would add 5000 steps to your daily workout kitty. Listen specifically for drastic tonal and volume changes along your walk. This would be an easy giveaway of any inconsistencies in the sound system, be it inefficient coverage or dead circuits. I generally also tend to focus more on HF than LF. I would rather have slightly less LF in certain areas as opposed to having less HF. HF means clarity and any decision with regards to HF must supersede any other.

RTA System and SPL monitoring System

Carry your own trusty RTA System and SPL monitoring System. Yes as a sound engineer it is as important an investment as the best microphone on the block. The above are two things I would never travel without. These two tools give me consistency in tone and volume be it a show for 100 or 100,000 people.

Volume (How loud is too Loud)

No real hard and fast rule here. The question is, ‘How does one measure loudness?’ What I would consider loud for me, as a sound engineer, would be overkill for a general audience member. As sound engineers our listening threshold is much higher than the average concert goer. Pacing loudness makes the concert experience more exiting. The Softest soft to the loudest loud makes for a more dynamic and exciting experience for the audience. Choose, which would be the softest and loudest, sections of the concert, and pace your loudness accordingly.

103 dBA averaged over 15 minutes measured around 100 feet from the stage for a large concert is what I use.

103 dBA averaged over 15 minutes measured around 100 feet from the stage for a large concert is what I use. Also note... loudness being a function of HF, it serves no purpose to turn up LF and Subs. This just results in things sounding flat and muddy.

Choice of equipment

Agreed we all have our favorites when it comes to PA systems, Microphones and consoles. Make equipment decisions based on what works for the genre and the artist and NOT what suits your fancy. For example, the best condenser Vocal microphone won’t necessarily suit a heavy Rock and Roll Singer. Just like certain PA systems are very genre specific. I wont get into these specifics because most of you reading this will know what I mean. To put things in perspective, understand that you are the last line of defense between a source from stage and the audience’s ears. Now go ahead and plan your next move.

Mixing is a delicate blend of the artists vision, your vision and the impression you wish to impart to your audience. I will almost never take on a large mixing project if I don’t have access to a multi-track of at least 1 show of the client. I would listen to the material non-stop for a few days, and then get stuck into a multi-track mixing session. This session would include, building snapshots and notes for each song, and at times multiple snapshots per song.  I want to get into the show knowing as much of the material as possible before hand, and being prepared in advance. There is nothing worse that being in an event and not knowing your cues. Large concerts give us the liberty of time and a large crew; there should be no reason for us to not do our homework before showing up to work.

Considering that I need to have my hearing in best condition over a 3-hour concert duration, I tend to spend as little time with the PA at “full volume” before that show.  I will always have a pair of near field monitors, and do a decent amount of balancing to those monitors, again something that I trust and that translates well to the PA system. Sound-check of individual channels is usually done on PA, but post this checking of snapshots and mix balance usually on near fields, not at an unreasonable volume, regularly checking every few seconds on the House. I have found this process to be the most effective for keeping the ears as fresh as possible before the event commences.

Hope these tips, help in providing a insight into achieving consistency in your FOH mixes. Mix on.

Current Issue : May - June 2022
Read/Download

OR

Flipbook

OR

To The FREE Digital Magazine And Newsletters

Archives

Palm Expo Magazine Mar Apr 2022 Palm Expo Magazine Mar Apr 2022
Palm Expo Magazine Jan Feb 2022 Palm Expo Magazine Jan Feb 2022
X