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Articles March-April-May-June 2020

The Art and Craft of Sound Design- Interview with Bishwadeep Chatterjee

PT met up with Bishwadeep Chatterjee, one of India’s most esteemed Sound Designer. In this extremely insightful interview, he generously shares his unique perspective and experience on music recording and sound design..... read more

Bose Professional Assures an IMMERSIVE SOUNDSCAPE At Sardar Patel Stadium – The Largest Cricket Stadium in the World

US President Donald Trump and First Lady Melania Trump were welcomed by Prime Minister Narendra Modi as they arrived for the “Namaste Trump” event on 24 Feb 2020..... read more

Shankar and Siddharth Mahadevan’s Lambodara Studios – Leaves you Breathless

Auroville based leading acoustic consultancy & audio video system design firm Sound Wizard was tasked with designing acclaimed singer, composer and music director Shankar Mahadevan’s ..... read more

In Conversation With Sreejesh Nair

Besides being a part of the first Dolby Atmos Mix theater installation in India and the first Dolby Atmos Premiere Mix room in the world, Sreejesh Nair has been responsible for crafting the sound for major films like Bombay Velvet, Gangs of Wasseypur - II, Agneepath..... read more

Stained Class Productions - Beyond the Realms of Sound

Meet the father & son duo, Murugan N. and Mrinal N. whose musical influence has been Judas Priest and who have aptly named their studio after the fourth studio album of Judas Priest - Stained Class. Mrinal who manages the technical aspects ..... read more

Independent Producers Blurb on their Music and Technology

One of Asia’s largest music festivals, OPPO Sunburn in association with Percept Live and Klassique Events Goa returned to its birthplace Goa, this December after a hiatus of 3 years. The festival which made a grand homecoming for its 13th edition at Vagator for a three-day showcase ..... read more

Sequence of Steps to Follow on Resuming Studio Operations Post an Extended Duration of Shutdown

Munro Acoustics India has put together a suggestion/ guideline document after consulting many studios and engineers across the world to aid their clients in the Indian Subcontinent, Middle East and SE Asia..... read more

Acoustic and Audio System Design for Small Rooms - Part 1

Acoustic and audio system design for a “small room” can be extremely challenging, especially for critical listening applications like control rooms and reference home cinemas. It is vital to understand the relationship between system..... read more

Harman Reigns Supreme in Indian Cinemas

Sound in the cinema, until recently, was dictated by standardized speaker layouts. If you are from the commercial cinema project, from the first design to the finished furnishings..... read more

Recording To Records

Music in India has changed drastically. This music and song driven country which is largely dominated by Bollywood soundtracks, has in the past year seen less of originals and more of old songs being plagiarised..... read more

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Stage Tec Launches IP console Avatus




Stage Tec has launched Avatus, a fully IP-based console. Reportedly, with Avatus - a new mixing console surface based on IP technology - Stage Tec relies on a completely new operating concept. Unlike previous consoles, centralized operation is not required. 12 color coded faders, two 21 "multi-touch displays and 48 double rotary encoders per unit can be combined to sizes from 12 to 96. Modular, decentralized and yet freely configurable, users can access all parameters at any time.

The color coding of the channel parameters guides the user intuitively and self-explanatory through the functions of the mixer. Each multitouch display can be used to control parameters of the audio channels in a detailed view, as well as to call up the functions of monitoring or a current status of audio channels. Visual feedback from various operator actions give the user security and an overview of his work. With its new patented concept of color-coded faders, Stage Tec supports a fast workflow.

With detachable metering displays and a significantly reduced overall depth, Avatus also has space in smaller rooms and offers a clear view of what is happening on the stage. With the remote control via an integrated browser application, the user has an additional tool, for example for setting up loudspeakers on or in front of the stage or to accompany the rehearsals directly from the auditorium. The most important parameters of Avatus can be achieved in the same color coding via the RUI.

A big advantage of Avatus is that the audio signal processing has been tried and tested many times over, as with Aurus and Crescendo, the DSP core RMDQ installed in the Nexus Star Router is used here. Embedded in the NEXUS network, AVATUS also has access to all inputs and outputs and can manage all resources. 128 freely programmable summing buses and up to 800 DSP channels are available.

Avatus is a logical evolution of Stage Tec's mixing technology and preserves proven concepts - making it an ideal compromise between Aurus, which has been tried and tested for many years, and a tablet. "The IP console is backwards compatible and allows even long-term customers to migrate from legacy systems to Avatus without sacrificing the proven audio quality," said Stage Manager Tec's Rene Harder, who is responsible for innovation management. "Due to the flexible design of the interface without restricting the equipment, we want to venture into new markets that were previously difficult for us to access, for example, small production facilities, studios and above all the live area."

The scaling of the user interface has no influence on the number of channel numbers or the functionality. Like all other Stage Tec consoles, Avatus is constantly evolving. Thus, as the latest release, the scene automation as well as the automixer and dynamic Nexus labels were implemented.


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