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Articles March-April-May-June 2020

The Art and Craft of Sound Design- Interview with Bishwadeep Chatterjee

PT met up with Bishwadeep Chatterjee, one of India’s most esteemed Sound Designer. In this extremely insightful interview, he generously shares his unique perspective and experience on music recording and sound design..... read more

Bose Professional Assures an IMMERSIVE SOUNDSCAPE At Sardar Patel Stadium – The Largest Cricket Stadium in the World

US President Donald Trump and First Lady Melania Trump were welcomed by Prime Minister Narendra Modi as they arrived for the “Namaste Trump” event on 24 Feb 2020..... read more

Shankar and Siddharth Mahadevan’s Lambodara Studios – Leaves you Breathless

Auroville based leading acoustic consultancy & audio video system design firm Sound Wizard was tasked with designing acclaimed singer, composer and music director Shankar Mahadevan’s ..... read more

In Conversation With Sreejesh Nair

Besides being a part of the first Dolby Atmos Mix theater installation in India and the first Dolby Atmos Premiere Mix room in the world, Sreejesh Nair has been responsible for crafting the sound for major films like Bombay Velvet, Gangs of Wasseypur - II, Agneepath..... read more

Stained Class Productions - Beyond the Realms of Sound

Meet the father & son duo, Murugan N. and Mrinal N. whose musical influence has been Judas Priest and who have aptly named their studio after the fourth studio album of Judas Priest - Stained Class. Mrinal who manages the technical aspects ..... read more

Independent Producers Blurb on their Music and Technology

One of Asia’s largest music festivals, OPPO Sunburn in association with Percept Live and Klassique Events Goa returned to its birthplace Goa, this December after a hiatus of 3 years. The festival which made a grand homecoming for its 13th edition at Vagator for a three-day showcase ..... read more

Sequence of Steps to Follow on Resuming Studio Operations Post an Extended Duration of Shutdown

Munro Acoustics India has put together a suggestion/ guideline document after consulting many studios and engineers across the world to aid their clients in the Indian Subcontinent, Middle East and SE Asia..... read more

Acoustic and Audio System Design for Small Rooms - Part 1

Acoustic and audio system design for a “small room” can be extremely challenging, especially for critical listening applications like control rooms and reference home cinemas. It is vital to understand the relationship between system..... read more

Harman Reigns Supreme in Indian Cinemas

Sound in the cinema, until recently, was dictated by standardized speaker layouts. If you are from the commercial cinema project, from the first design to the finished furnishings..... read more

Recording To Records

Music in India has changed drastically. This music and song driven country which is largely dominated by Bollywood soundtracks, has in the past year seen less of originals and more of old songs being plagiarised..... read more

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Fulcrum Acoustic Unveils the World’s First Cardioid Coaxial Stage Monitor



Fulcrum Acoustic, creators of professional loudspeaker technologies, has launched its latest innovative product: the FW15 15-inch Coaxial Cardioid Stage Monitor. Reportedly, the FW15 is the world's first cardioid stage monitor incorporating Fulcrum Acoustic's patented Passive Cardioid Technology. This proprietary technology enables tour-grade, low-profile FW15 stage monitors to attenuate rear low frequency radiation which interferes with the audience, stage microphones and front fills.

Fulcrum's FW15 stage monitor is designed from the ground up with the customer foremost in mind. The FW15's coaxial transducer and 75° x 75° horn provides optimal coverage for monitoring applications, and its large-format 3" compression driver and 3.5" voice coil 15" woofer assures robust headroom.

The FW15's multi-faceted enclosure includes 40° and 55° angles for downstage and upstage distances respectively. Its road-ready, ergonomic design includes stout double grille construction and four input options positioned close to the stage to reduce the visual impact of connected cables. The powerful yet very portable FW15 coaxial cardioid stage monitor features integrated handles to facilitate carrying.

The cardioid behavior of FW15 is produced by a meticulously conceived acoustical circuit that balances the position of the coaxial driver/horn assembly, the enclosure depth and volume, and specially constructed side ports toward the back of the cabinet which include a calibrated resistive element. The FW15's sub cardioid low-frequency control produces 3 to 4 dB of 90° off-axis rear rejection over its operating range.

This elegantly designed portable stage monitor's unique shape and compact size make it unusually unobtrusive on stage and/or camera, and an ideal choice for applications including houses of worship, theaters and performing arts centers.


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Current Issue : March - June 2020
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