Exploring Next-Gen Audio Solutions With Waves Audio & Ansata
The Waves eMotion LV1 Classic for live sound mixing
As the audio industry evolves, three standout products - the Waves eMotion LV1 Classic console,
RME's MADIface XT II audio interface, and the DPA 2061 Omnidirectional Miniature
Microphone - are
setting new standards for live and studio sound with advanced functionality and pristine audio
quality.
Waves eMotion LV1 Classic: High-Performance Live Mixing Console
The eMotion LV1 Classic represents Waves' foray into fully integrated live mixing, catering
to the
needs of live sound engineers worldwide. Distributed exclusively in India by Ansata, the LV1
Classic
combines cutting-edge technology with a familiar console layout, creating an intuitive experience
ideal for various settings, from houses of worship to large concert venues.
Powered by a double-precision 32-bit floating-point mix engine, the LV1 Classic provides exceptional
sound clarity and ample headroom over a frequency range of 44.1 to 96 kHz. This live mixing console
supports 64 stereo channels and 44 stereo buses, offering versatile routing and mixing options for
intricate setups. An innovative feature is the inclusion of 16 Waves Signature Preamps, known for
their discrete analogue circuitry, low noise levels, and fast transient response, allowing sound
engineers to choose between transparency or harmonic enhancement as desired.
The console's user interface pairs a 21.5-inch multi-touch screen with tactile controls, including
Alps motorised faders and precision encoders, designed for ease of use by both experienced
professionals and new users. The software architecture offers deep customisation of mixer and
channel views, supported by dual independent software mixer windows, enabling engineers to access
various functions simultaneously.
Processing capabilities are enhanced with built-in Waves processors, including dynamic EQ, vocal
pitch correction, feedback control, and analogue saturation effects. Additionally, the LV1 Classic
can be upgraded to utilise Waves' expansive library of over 160 live-optimised plugins, allowing
engineers to meet the demands of any performance. Its scalability through IONIC stageboxes, extra
I/O options, and DSP expansions further boosts its versatility, making the LV1 Classic suitable for
both mobile and fixed installations.
RME MADIface XT II: Comprehensive Audio Interface for Live and Studio Applications
The RME MADIface XT II audio interface for live sound production
The RME MADIface XT II is a 394-channel, 192 kHz USB 3.0 audio interface tailored for live sound and
studio production. Building on the MADIface XT's legacy, the XT II includes refined digital and
analogue circuitry, resulting in improved signal-to-noise ratio, reduced total harmonic distortion
(THD) during analogue-to-digital conversion, and increased line output levels up to +24 dBu. The
headphone output has also been upgraded to +19 dBu, offering greater headroom and flexibility for
monitoring.
Supporting diverse connectivity needs, the MADIface XT II offers two mic/line preamps, two balanced
XLR outputs, a stereo headphone output, and extensive digital signal options, including MADI
(coaxial and optical), MIDI, AES, and word clock. The analogue mini-DIN socket has been replaced by
an ARC USB port, enabling remote control via the optional ARC USB remote.
The MADIface XT II's TotalMix FX DSP mixer offers latency-free monitoring with added effects,
including EQ, dynamics, reverb, and delay. Additionally, RME's SteadyClock FS technology ensures
minimal jitter and stable clocking with femto clock precision, providing clean signals even at low
frequencies. The Class Compliant mode enables USB 3.0 support, allowing transmission of all 394
channels without proprietary drivers.
Enhanced by the ARC USB remote, which features illuminated buttons and an encoder wheel, the
MADIface XT II offers easy access to TotalMix FX's core functions. The new Room EQ function
optimises output channels with nine parametric EQ bands, making it an ideal solution for complex
setups, surround sound, and live productions.
DPA 2061 Omnidirectional Miniature Microphone: Precision Audio Capture in a Compact Design
The DPA Miniature Omnipresent Microphones for on-the-go high-fidelity recording
Designed to capture the human voice with clarity and authenticity, the DPA 2061 Omnidirectional
Miniature Microphone offers engineers the flexibility to achieve high-quality audio in
diverse live
and studio environments. With an omnidirectional pattern, the 2061 can capture sound accurately
without requiring exact placement, making it suitable for use on performers' chests, foreheads, or
cheeks. Its frequency response ranges from 20 Hz to 20 kHz, with an effective range of 50 Hz to 16
kHz, and includes a subtle boost between 8 and 16 kHz to deliver a balanced, clear output.
Constructed to endure demanding conditions, the 2061 microphone is IP57-rated for water and sweat
resistance. This durability, combined with its compact design, makes it well-suited for theatre,
broadcast, and live event applications. Weighing only 10 grams, the microphone is discreet without
sacrificing performance. It includes a secure mounting clip in black and white options, enabling
quick setup and secure positioning.
With a nominal sensitivity of 6 mV/Pa and a dynamic range of approximately 102 dB, the DPA 2061
handles sound levels up to 137 dB SPL, allowing it to capture high-volume sources without
distortion. The 2061 supports various connectors, including TA4F Mini-XLR, 3-pin LEMO, and
Mini-Jack, enhancing compatibility across different wireless systems.
Elevating the Standard for Live and Studio Sound
These three products - the Waves eMotion LV1 Classic, RME MADIface XT II, and DPA 2061 - bring
advanced features, high-quality sound, and customisation options that are reshaping the AV
landscape. From the concert stage to the recording studio, these tools provide engineers and
technicians with the control, precision, and adaptability required to elevate audio production to
new levels.